After last year's expansive and critically very well received "Symphony No 1.Resurrection", and many interesting collaborations in post-jazz territory, 30-year old composer and violinist Tomasz Sroczyński comes back with an album packed with fable-like and enigmatic electronics. Tapping on such disparate sources as Matthew Herbert's crispy rhythmatics and The Residents' mutant pop, Warsaw-based Sroczyński invites his listeners to a wild ride into unknown territory. Nine concise and multilayered compositions included on his new album "Alujella" (Recognition) form a vision of hybrid musical modernism where unexpected elements melt and interweave. It's a constant process, and definitely a kind of escape route from formatted banality, too often evident in today's "electronica".