Turpistyczne poczucie humoru i obrażanie władzy. „The best of” oraz B-sajdy duetu z mało przyjaznego Nottingham, który zrobił zawrotną karierę na utyskiwaniu i wyzwiskach miotanych do minimalistycznego bitu.

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Considering it was only last year when Sleaford Mods dropped their prized UK Top 10 LP 'Eton Alive' it's almost jarring they should now unveil a Best Of, of sorts. It's hardly time to reflect when you're one of the most vital acts in contemporary British pop. But then the record stands up on its own merit, too, more than living up to the name by offering an insight into the ties - or rather tracks - that bind together the outfit's seven year career to date. Those familiar with the work of Jason Williamson and Andrew Fearn will not be surprised to learn the contents here are visceral, heartfelt, stubborn, angry, and stood with tongue firmly in cheek. Observations from an island still riddled with inequality and led by donkeys, set to the kind of catchy but raw guitar, sequencer and drum work that can't help but take you for a ride.