Mistrzowski, multistylistyczny album dubstepowej gwiazdy. Numery w 4/4 („Accelerated Culture”!, ale i house'owe „Making Space”), a na drugiej płycie trip-hop i jungle. Opasłe, futurystyczne brzmienie.
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It was arguably 2007 debut LP "Underwater Dancehall" - still one of the greatest dubstep albums of all time - that made Tectonic co-founder Pinch one of British bass music's most celebrated talents, so this solo sequel is long overdue. Much has changed in UK bass - and his life - since then, and "Reality Tunnels" reflects that. Much more widescreen in approach and sound, it sees him flit between vocal grime and dubstep, 21st century jungle mutations, future dub, ambient soundscapes, deconstructed dancehall and - most surprisingly of all - weighty, bass-heavy, Bristol style techno. Some fans may be surprised at the decidedly different directions, but it all makes perfect sonic sense - after all, British bass music has long been about more than just dubstep and D&B.