Rabih Beaini's Morphine label have stood apart from the pack this year in terms of daring album projects that make you question the boundaries of electronic experimentalism. A sense of visual consistency has bound all their output thanks to the collaborative efforts of Tankiboys and artist Nathalie Du Pasquier, leaving the listener free to dive in the deep end of some startling albums from Senyawa, Charles Cohen, and Pauline Oliveros and Ione. Blue As An Orange sees French robotic music pioneer Pierre Bastien join this cast with an album recorded using Silent Motors, an elaborate assembly of wheels, gears, an overhead projector and a screen along with live instruments and machines. There are at times echoes of Leyland Kirby's hazy ambience to the eight tracks, though you get the feeling few others could deliver such a nuanced listen from this bizarre array of instruments as Bastien has done on this album.