Mirror Phase marks the conclusion of Jonas Munk's ambient trilogy, a series that has seen him explore the subtleties of soundscapes crafted from guitar and synthesiser loops. These eight tracks bring Munk back to the warmer tones often associated with his earlier work, shaping sonic structures that ebb and flow, much like clouds shifting in the sky. The title track, 'Mirror Phase', stands out as his most expansive drone composition to date. Over its nearly 18-minute runtime, oscillating tones move in and out of sync, creating a constantly evolving and mesmerising pattern. 'Transition' offers something gentler, layering guitars to evoke the sensation of waves lapping against the shore. Meanwhile, 'At a Distance' leans into the eerie and hypnotic, with slightly out-of-tune analogue synthesisers giving the track a krautrock flavour reminiscent of Popol Vuh. The shimmering tones of 'Rise' and the closer, 'Return to Nowhere', recall Munk's past work as Manual, blending glistening textures with a serene undercurrent. It's an album that's less about instant gratification and more about gradual immersion. The pieces evolve slowly, rewarding patient listeners with subtle shifts in mood and atmosphere. By the end of this trilogy, Munk seems to have fully embraced the minimalism and expansive soundscapes that have defined his ambient explorations, culminating in what might be his most refined and cohesive ambient work yet.