Bristolian William Yates makes a superb debut here on the cult Trilogy Tapes after impressing with top releases on the likes of Sahko and his own memorecs. His sound is a sprawling, loose one that takes in dusky jazz, psychedelic ambiance and plenty of eccentric and hard-to-define things in between. There are few limitations to the sounds that Yates bastardises here from bluegrass to downbeat to drone. Pieces are lo-fi and ramshackle, with barely there rhythms slowly moving things along beneath the odd warped oboe or twanging blues guitar. It manages to sound both ancient yet thrilling new and inventive as a result and is one of the most idiosyncratic records we've heard for a while.