Jeff Mill has pretty much always been in a world of his own, musically, aesthetically, and in terms of how he thinks about techno. More than 30 years after helping to shape its first wave, he continues to turn out high-concept projects, and this is his latest. The Eyewitness is a mix of ambient, leftfield and techno that has been made from "the perspective of an unknowingly complicit bystander" who is "psychologically pathological in nature." Concept aside this is an involving listen, marbled with paranoid vocals that pan about next to sinewy pads, with bright, glowing cosmic chords and prickly low ends, suspensory ambient soundscapes and cinematic interludes all making it one of his best works in a while.