According to Rafael Anton Irisarri, his first album for Dais was inspired by a desire to "focus on the personal in order to tell a wider human story" - itself a reversal of his usual more impersonal approach to music-making. Musically the eight-track set also offers a slight stylistic shift, too, with Irisarri's usual ghostly ambient chords, grandiose sound design and heavily processed electronic textures being joined by fractured snippets of choral recordings, similarly fuzzy string songs, and the kind of densely layered and intense sounds that recall the dark weightiness of heavy metal. Throw in a bittersweet and melancholic tone, and you have one of Irisarri's most striking albums to date.