It's been a long time between drinks for Chris Korda, a transgender artist and activist whose last releases of note came on famed electroclash label International Deejay Gigolo way back in 2004. New album "Akoko Ajeji" is very much a surprise return to action, though its melodious, ear-pleasing and accessible blend of house and techno drums, digital synthesizer sounds and cheery post synth-pop refrains is both striking and hugely addictive. Korda's compositions offer subtle nods towards various vintage house and techno styles - particularly turn-of-the-90s deep house and early Chicago jack - but never sound anything less than thrillingly DIY productions giddily made in back rooms and bedrooms over the last decade and a half.