In 1972, Marvin Gaye set to work recording what was scheduled to become the follow-up to his greatest single studio album, the previous year's "What's Going On". In the end, only one single from that mooted set ever appeared - "You're The Man", a weary assessment of that year's U.S Presidential Election - and Gaye's bitter arguments with Motown continued. This intriguing album tries to set the record straight, gathering together work completed for the shelved album with newly mixed songs based around previously unfinished works. There's much to admire throughout, with the material flitting between the kind of lusciously orchestrated, conscious songs featured on Gaye's previous set and more commercial-sounding Motown pop (much of which was produced by Willie Hutch).