Following up 2016's Kyoto EP on ESP Institute, here is the return of Cleveland. Interestingly enough he's not from the midwest USA but in-fact from Luxembourg (with Italian roots) and based in Brussels. His music isn't nearly as confusing though; on the contrary "Tusk" simply sounds like 'oriental electro' (if we've heard such a thing) even more than Japanese Telecom would. B side cut "Aku" equally borrows from Detroit bass aesthetics, yet crosses over into minimal techno - albeit unintentionally we assume - grooving much like current sounds of the Berlin underground as heard on labels like Time Passages or Libertine. A.E. Mancini has released previously on other fine imprints such as Hivern Discs and Oskar Offermann's White.