Sam Kerridge launches a major rethink of his style with the high-velocity tempos and razor-toothed bite of The Silence Between Us. Toiling somewhere between Ueno Masaaki's Vortices for Raster-Noton, the pitching pelt of La Peste for Hangars Liquides, and the machine convulsions of Somatic Responses, he goes balls-to-the-wall with the breakneck momentum of Possession/Control, harnessing reverse-edited kicks, helter-skelter EBM bass and spectrographic noise ghouls in a surge of searing rave energy. Flipside, those knotty, strobing pulses keen thru empty stomach inversions and bursts of tangled EBM synths on Ascension, which is effectively a snappier edit of the A-side, whilst Radical Possibilities of Pleasure sounds like a field recording from a french hardtek invaded by dildo dibble in choppers and riot gear railing lasers against any unlucky dancers.