A couple of years back, Optimo Music reissued a classic chunk of NYC downtown experimentation from Peter Zummo, a post-modern composer arguably best known for his work with Arthur Russell. Thrillingly, this follow-up marks the multi-instrumentalist's first new album for many years. Full of his delay-laden trumpet lines, tumbling trombone, and spaced-out beats, Dress Code (Don't Look At My Car) feels like the products of an unlikely collaboration between Holgar Czukay, Konk and the Idjut Boys. It's all devilishly hard to pin down, but never less than inspired, with Zummo serving up both downtempo and upbeat compositions in his unique, fusion style.